110 days after the Hollywood strike, writers and studios are trying to reach an agreement

The spotlights return to focus Hollywood Where is he Writers Guild of America j the alliance of film and television producers, which brings together the main studios, continue to struggle to renegotiate their employment contracts. with already 110 days have passed since the start of the union strike, Both parties resumed negotiations, although no agreement could be reached for the time being.

Over the past four days, representatives from unions and alliances have met to bridge the divides that bedevil the entertainment industry. However, the highlights of the lawsuits filed by the authors still appear to be obstacles in the way of a settlement.

“Thank you for all the messages of support and solidarity as we speak to Allianz. As always, be wary of third party rumors knowing they are about the Syndicate We will communicate when we believe there is something important to report,” the union representatives wrote in an email to their members, which was published in the US media.

The recent dialogue between the screenwriters and the studios marks a turning point despite the long duration of the strike. The two sides had not held official meetings for months since the strike began on May 2. Although differences remain, the fact that talks are moving smoothly again is a sign that both parties are ready to seek a solution.

The sticking points include “crucial” demands on the authors. Among them are the Determination of minimum staffing levels for episodic television productions Guarantee of a minimum number of employment weeks when starting a project and Regulating the use of artificial intelligence in script work.

A point of friction that is also being discussed is the determination of residual licenses based on the Number of content views in which the screenwriters contributed. This question becomes relevant in the current context of the rise of streaming platforms, an area not addressed in the current agreement prior to the emergence of this new form of audiovisual consumption.