One of the series that young artist Osdel Rivero (Sancti Spíritus, 2002) works on brings together two powerful pictorial references: mosaics (present in many cultures) and pop art. He has named his style with a term that actually honors that blend: POPSaic. Osdel lives and creates in the Colón district, Sancti Spíritus, alternating his pictorial work with teaching as an art instructor in an elementary school. We interviewed him for this series.

— Are you born an artist?

—The question of whether you are born an artist is challenging. In my case, since I was a child I have always wanted to be an artist and I have dreamed of creating works. My father took me to the Culture House and there, I learned a lot from that world. For me, those dreams have been like clues that guide me on my artistic path. I know I'm not perfect, but I've always considered myself an artist, driven by that passion and desire to create.

However, I know every person is different; there are those who can be influenced by factors such as manipulation, deception, or ambition, which can affect their artistic authenticity. In the end, I believe that the connection with art is something personal and unique to each individual.

—And what is the role of the academy? What did it bring to you?

—On my way to the art academy, I didn't pass my first test in Cienfuegos. I had to study Food Processing, which I didn't enjoy, especially since the practices consisted of washing trays instead of preparing. In that same course, I did again the test in Santa Clara. I passed, and began the first year of fine arts.

The academy triggered some insecurity in me, as well as negative experiences with some teachers. However, I learned valuable lessons, such as painting the atmosphere of the landscape and the leaves of the trees. Despite my difficulties in socializing and lack of friends, the academy taught me to adapt to a new environment, and although my experience was complicated, I recognize that I learned something in the process.

—How do you define yourself as an artist?

—I define myself as an artist in constant evolution, who found his voice in the blending of pop art and mosaic, a style I call 'POPsaic'. This approach was born during my solo exhibition SOSlayo, where I presented a series of self-portraits in different styles. During that event, I could see how the public responded to my works; some preferred my pop portrait, while others were drawn to the mosaic. That feedback gave me the confidence to follow my intuition and pursue my dreams. Through POPsaic, I seek to create pieces that visually connect with the viewer, exploring the interaction between the vibrant colors of pop art and the texture and complexity of mosaic.

—And how did that blend come about? What are your references?

—The blend that gave rise to my POPsaic style came about when I remembered pointillism and impressionism. I noticed that both styles end in 'ism' and have similarities in their use of color, which led me to think about how they can be combined. In my idea of POPsaic, pop art resembles mosaic because of its vibrant color palette and ability to capture attention. Thus, by fusing the two terms, 'pop' and 'mosaic', I created 'POPsaic', which not only sounds similar, but also reflects the essence of both artistic currents. This approach allows me to explore the interaction between the energy of pop art and the texture of mosaic, creating works that I find visually striking and conceptually rich.

—You are an art instructor at an elementary school, how important is that work for you and what do you gain from it?

—Although I had never wanted to be a teacher, I started teaching last year and I have found this experience very rewarding. Working with children has given me new ideas about abstract POPsaic, and together, we organized a collective exhibition that was very enriching. I like being able to explain to them that art is not about being 'ugly' or 'pretty.' It is actually about what you want to communicate through a work. I show them examples of artists and their work to illustrate that each one has their own message and perspective. This work not only helps me to transmit knowledge, but also allows me to relieve stress and see art from a new perspective through the eyes of children.

—How difficult is it for a young artist like you to access spaces for socialization and commercialization of art in Cuba?

—As a young artist, I have found creative ways to overcome the barriers that exist in Cuba to access spaces for socialization and commercialization of art. For example, I make portraits using pieces of beer and soda cans, which allows me to work with what I have at hand. I am inspired by a phrase from Ernest Hemingway: 'Now is not the time to think about what you don't have. Think about what you can do with what you do have.

However, marketing art remains a challenge. So far, I have not managed to sell my portraits, and I have not found any dealers interested in my work. I think this may be because some do not use social media or because they only look for works by already recognized artists. I use my networks to promote my works and connect with the public, but I have not yet managed to establish links with those who could help me bring my art to a wider market. Despite these challenges, I remain optimistic and look for new opportunities to share my style.

—What is the purpose of art? Why insist on this activity?

—Art is essential for everyone. Without it, our lives would be like a motionless rock, empty of meaning. Art is present in fashion, in our daily lives, in cities, and it is a way to express our feelings and our history. Each artist brings something unique, and that diversity is what enriches our existence.

I insist on creating because it has always been my passion since I was a child. I have many ideas that I want to explore, not only in painting, but also in other art expressions. Although I have many sketches saved and have not yet painted surrealism, I dream of turning my experiences and nightmares into art. I do not seek competitions, but a little recognition is part of life. For me, the real pleasure lies in seeing the result of my works; they are like jewels that I value, no matter what others say. I hope that, at least to some people, my art can also be a source of pleasure.

More works and contacts with Osdel Rivero on his Instagram profile:

https://www.instagram.com/osdelrivero?igsh=ejRpMTN1MXQ3ejdw

Translated by Sergio A. Paneque Díaz / CubaSí Translation Staff